McCallum Fine Arts Academy

Music: Claude-Michel Schoenberg

Lyrics: Alain Boublil

McCallum Fine Arts Academy doesn’t do High School theater. They do Theater. With a capital T. The quality of the work from these young performers and designers is just as strong as what you’d find from other Austin-based theater companies, and that tradition of quality continues with their current production of Les Miserables.
— BROADWAY WORLD AUSTIN
McCallum puts its own stamp on it, largely due to director Joshua Denning’s interesting and unorthodox vision for the show. Denning, who starred as Enjolras in Zach Theatre’s recent production of the musical, takes a darker, edgier approach with this production.
— BROADWAY WORLD AUSTIN
The set, with its clear nods to German Expressionist films like The Cabinet of Dr. Caligari, is particularly unexpected but effective, but what is more extraordinary is that the work of these student designers is as clear, polished, and focused as the work of professional designers in the area.
— BROADWAY WORLD AUSTIN
As Valjean, Connor Barr gives a performance that is (there’s no nice or diplomatic way to say this) better than Zach Theatre’s Valjean, Pat McRoberts. While I criticized McRoberts’ “thin, frail voice,” Barr’s voice has a blend of power and gentility. I also said that McRobert’s acting was “bizarre and awkward” and “punctuated with strange facial contortions,” while Barr on the other hand gives a constantly present, believable, and engaging performance.
— BROADWAY WORLD AUSTIN
Every full cast number looks and sounds exquisite, and that is a testament to the hardworking ensemble of over 60 young performers.
— BROADWAY WORLD AUSTIN